Travel inspiration: Author David Mitchell’s love affair with Japan

When author David Mitchell glimpsed Dogojima from the ferry at the age of 25, it sparked a lifelong love affair

My dog-eared, 1990s Lonely Planet guide to Japan described the Oki Islands as “remote and rarely visited”. Irresistible. I boarded a ferry one rainy dawn at a working harbour in Shimane Prefecture, on the Sea of Japan coast. The 80km crossing was choppy and the vessel shuddered as it slapped the troughs between the rolling waves.

There were no obvious tourists in the communal cabin area — shoes off — and the only foreigner was by now wondering if “remote and rarely visited” had been a coded warning.

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After a couple of hours, the weather brightened and I went out on deck. Dogojima, the largest of the four inhabited Oki islands, prised open the horizon. Its landscape was, and is, ruckled with low mountains, cloaked in forests — and secretive. Saigo, the main port, slid into view around a headland. The sight stirred my 25-year-old imagination. Who lives here? What are their lives like? What are their stories?

Hundreds of ports dot Japan’s indented coastline and many are a lot like Saigo: sleepy, rusting, a decade or more behind the big cities along the Pacific coast. You can walk up and down the main street without realising it is the main street. You’ll find a squeaky-clean convenience store; a tiny boutique for a silver-haired clientele run by a silver-haired shopkeeper; a noodle joint that gets busy over lunchtime but which is closed by 4pm.

Nobody is in a hurry. Fishmongers sluice down the pavement in front of their shops. Vending machines display soft drinks discontinued elsewhere. A barber will do you a cut for 500 yen ($7) if you don’t mind cigarette ash in your hair. Cats yawn on sunny walls. Wildflowers sway in the courtyards of ramshackle shrines to Ebisu, god of good fortune and fishermen. On hot afternoons, front doors are propped open with a wader, and you might smell home-cooking as you pass, or overhear someone practising piano scales. Rarely do you feel more like an outsider, but if that bothered you, you wouldn’t be here.

The twice-a-day bus trundled along the coastal road anticlockwise, through villages whose faded signposts I couldn’t read anyway, past boats and submerged rice fields that shone like mirrors. Side roads wound inland and uphill. Maybe they led to farmyards, or just narrowed into tracks, then paths, then just fizzled out. It was near Boys’ Day — May 5 — and carp streamers were flying from giant poles staked out in gardens. I’d never seen so many of these fish-shaped windsocks, swimming in the afternoon breeze. The island bus doubled up as a school bus, so I was met by amazed young faces and a few “Hello how are you, I’m fine thank you and you?” from the bravest. Gales of giggles followed from the rest. I just sat there, failing to look enigmatic. When confronted by a posse of high-spirited 11-year-olds, discretion is the better part of valour.

The bus driver pulled up at a stop, turned around and told me “Fuse!” to tell me I’d arrived. (“Fu” as in “fool” plus “se” as in “said”.) The village was a couple of rows of houses clustered around a beach. The biggest and oldest had ceramic-tiled roofs. Newer, smaller places looked flimsier and disposable. A small, dusty shop sold everything. (When I read Akira Yoshimura’s unparalleled short novel about a fishing village in pre-Meiji Japan, I used the topography to “mind-stage” the book.) The youth hostel, the only accommodation on the island I could comfortably afford, sat at the top of a slope. It looked like a former barracks. Nobody was around.

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